This is a bit stream of conciousness. Completely unpolished.I’ve always wondered how the different styles of poetry (with the exception of free form), and how people decided those styles sounded good.
I think it would be really cool to see someone mix up some of those styles. For example, how cool would it be to see someone write a poem with stanzas in the form of a haiku, and each stanza would be iambic. And if done in the form of a sonnet, there would be four stanzas, and one incomplete stanza (the last one only having two lines in it.)
Let’s try starting out with a haiku in iambic.
The man walks down and...
Ich. Ending with that unstressed syllable sounds weird. Hmm. Perhaps the last two syllables need to be stressed.
Let’s see about a different pattern.
In one strong swift move...
That sounds better. Moving on...
In one strong swift move
This fair maiden with hands red
Okay, I’ve figured something out for two lines in this iambic haiku. It probably won’t make much sense, but this is just experimentation.
In one strong swift move
This fair maiden with hands red
Tears open her dress
Honestly, don’t read too much into that. I’m seriously just experimenting here, and that’s just what works out! (Although I do see how that might be taken.)
I like that the syllabic pattern of the first and third lines worked out to be inverses. I don’t know if I have it in me right now to do 3 2/3 more stanzas to make a sonnet, so maybe I’ll pick that up some other time, but I think that’s a good pattern for an iambic haiku.
I’d like to see someone go for a poetic elements density record. How cool would it be to see an iambic haiku sonnet with an acrostic!